Mix-&-match illustrations of people with a design library.
Over the last year I drew all my notes at Stanford class on Design Thinking in a visual way that anyone can understand.
I captured the whole course of lectures in one fun, visual format that makes it very easy to explain some of the concepts or method of design thinking to a colleague or a friend.
- Shops, organizations, trade and industrial practice
- Creating printed matter or illustration
- Women artists
- Beatrice Warde and other women writers or innovators on the printing arts
- Manufacture of prints, editions, tools, and supplies
- Gender and printers or printmakers worldwide
- Gender trouble, intersectionality, and the printing arts
Ph.D., English, University of Chicago
University of Michigan
FREE 2018 → HUMANISM vs POSTHUMANISM
a Workshop Project design educators workshop
July 12–15, 2018
California College of the Arts
San Francisco, California
Workshop Project AGAIN invites sixteen educators from a broad range of institutions to explore the radical potential of the artifacts and platforms of design education (tools, projects, syllabi, resource lists and the like) as spaces for new forms of critical writing, making, and discourse.
This annual workshop and the outcomes we make are meant to articulate, respond to and disrupt an urgent issue in contemporary graphic design education. Participants will generate a collection of pedagogical artifacts, platforms and other unforeseen outcomes that will be published on Workshop Project Wiki as a set of FREE resources for educators, students and practitioners. The workshop will culminate in a FREE, informal, public presentation where participants present, debate and discuss their outcomes, beliefs, values, and interests.
This year FREE 2018 challenges you to dive into two intertwined currents and take an ideological position in the unresolvable dichotomy:
HUMANISM vs POSTHUMANISM in graphic design education
As humans we are chameleons; we speak in many tongues and take on many guises. In HUMANISM lies authorship, personal voice, agenda and authenticity. Beneath its surface lies a complex, intricately constructed, and often unexpected interior. POSTHUMANISM reflects our images back at us in hyper-real, high definition: harder, better, faster, stronger. It makes us at once bottomless / hollow / void AND prolific / plural / simultaneous. Our collective desires manifest in its material, sonic, visual and temporal presence.
CHOOSE A SIDE and imagine, debate, and test drive the impractical, the extreme and the impossible in a space that is FREE from the constraints of institution, convention and expectation.
For more information, please visit www.workshopproject.org
To apply email Yasmin and Jessica at firstname.lastname@example.org
The application deadline is May 4, 2018.
July 12–15, 2018
FREE for accepted participants
Contact us for information about discounted hotel rates
Yasmin Khan, Special Faculty, Program in Graphic Design, CalArts
Jessica Wexler, Chair, Undergraduate Communications Design, Pratt Institute
Jon Sueda, Chair, Program in Design, California College of the Arts
About Workshop Project
Workshop Project is a space to examine and rethink the relationship of the educator to the institution. We approach the artifacts of design education as forms of critical writing and making. Workshop Project is Yasmin Khan and Jessica Wexler. We are design educators and practitioners with over two decades of combined experience teaching, designing curricula and coordinating faculty within diverse public, private and for-profit institutions.